Such major playwrights as David Henry Hwang of "M. Butterfly" fame and Robert Schenkkan of "The Kentucky Cycle" are now under the wings of the Oregon Shakespeare Festival's efforts to create a new U.S. history ...

Back in 2006, an opera student from New York City named Rachel Zevita auditioned for "American Idol". Armed with a bright personality and even brighter hippie duds, she convincingly sang Jeff Buckley's "Eternal ...

By his own admission, documentary director Arthur Dong has devoted his last three films to 'the destruction caused by America's war against homosexuality.' He calls his new film, 'Hollywood Chinese,' 'a welcome ...

After completing it's first season, The John W. Engeman Theater at Northport is proud to announce the production of the Tony Award Winning Musical MAN OF LA MANCHA, running June 26 - August 3, 2008.

In April, my teenage daughter went to her first rock concert ever, which meant I went to my first rock concert in quite some time.

"August: Osage County," Tracy Letts' scabrous tale of a dysfunctional Oklahoma family, was named best play Sunday at the 2008 Tony Awards ceremony, picking up two acting prizes as well as an award for ...

"The Mikado Project," a feature film directed by Chil Kong is currently in production in Los Angeles and has attached: Tamlyn Tomita , Yuri Tag , David McInnis , and Erin Quill "The Mikado Project," a feature ...

Issue date: 6/11/08 Section: A&E Weezer's back, baby. The true Weezer. Their third self-titled color-coated album will throw you back to their 1994 days with a surprising tone of experiment.

Cassandra Wilson will release her new Cd next week, and it's an occasion worth celebrating.

By John W. Whitehead The Rutherford Institute www.rutherford.org "I can hear another drum beating for the dead that rise, Whom nature s beast fears as they come and all I see are dark eyes." - Bob Dylan In a ...

Slashdot contributor Bennett Haselton has written in with a tale of media rippers and corporate giants "In 2001 RealNetworks sued and blocked Streambox from distributing the Ripper, a program that let users rip and save RealAudio and RealVideo streams even if the stream contained a proprietary "do not copy" flag. Then one year ago this month, RealNetworks caused a stir by releasing a beta of RealPlayer 11 that similarly let the user record and save streams from sites like YouTube and Pandora. YouTube rippers and the like had existed before, but this was the first time a major company had included a stream ripper in its media player. And while RealPlayer 11 didn't explicitly ignore any copy protection flags, the release still provoked legal rumblings: in a Variety article by Scott Kirsner, an anonymous network exec said accused RealNetworks of 'aiding and abetting piracy' and said that they would 'more likely than not' take action against RealNetworks. But now that the feature has stayed in RealPlayer for a year, its real impact will be not on piracy but on the perceived legitimacy of ripping programs. The corporate behemoth, raked over the coals in the past for privacy violations and nuisance-ware, strikes a blow for free-culture hackers." The rest of Bennett's essay is available by following that magical link right below these words.

Enigma2175 writes "CNN is reporting that videos from the Coachella music festival showing Prince covering Radiohead's 'Creep' have been removed by Prince's label, NPG records. Thom Yorke of Radiohead, when told of Prince's action, said 'Well, tell him to unblock it. It's our... song.' No comment from YouTube or Prince yet. Under the DMCA, YouTube is not required to verify the entity making a request is actually the copyright holder and this seems to be just another example of DMCA abuse." As the article points out, Prince seems to have a love-hate relationship with the Interwebs.

Erik J writes "Remember about six weeks ago when Motley Crue and Rock Band partnered to release a new single premiering first in the game before anywhere else? Come to find out their song 'Saints of Los Angeles' was downloaded over 47,000 times on the Xbox version alone, beating out digital services iTunes and Amazon, which were tapped only 10,000 times for the single."

An anonymous reader writes "What's worse than a padlocking every song so that they will only play on certain devices? How about selling (renting) you songs that work on no devices? Astonishingly, this is what the music industry thinks we need. Warner Music is spending $20 million to back Lala, a startup devising a service to convince people to 'buy' 'web songs' for 10 cents each; these are then kept for safekeeping only by Lala with no download privileges. Industry insider Michael Robertson leaks the facts on this scheme, along with a seekrit URL so you can try it out."

pacopico writes "The Register has a report on an intriguing Las Vegas-based company which is building one of the world's largest data centers called the SuperNAP. The company — Switch Communications — claims it will be the most densely packed and power efficient data center ever built. The report notes, 'Legend has it that the company managed to acquire what was once meant to be Enron's broadband trading hub for a song. This gave Switch access to more than twenty of the primary carrier backbones in a single location. Switch tied this vast network to existing data center hosting facilities and attracted military clients, among others, to its Las Vegas shop.'"

Jamie stumbled upon a very choice video this morning called I Will Derive. To the tune of some song you've never heard before, singing about subjects you know nothing about... oh and a a TI-84 cameo. It features the dopiest dancing you'll see on YouTube today. I promise.

NewYorkCountryLawyer writes "At Fordham Law School's annual IP Law Conference this year, Slashdot member NewYorkCountryLawyer had a chance to square off with Kenneth Doroshow, a Senior Vice President of the RIAA, over the subject of copyright statutory damages. Doroshow thought the Jammie Thomas verdict of $222,000 was okay, he said, since Ms. Thomas might have distributed 10 million unauthorized copies. NYCL, on the other hand, who has previously derided the $9,250-per-song file verdict as 'one of the most irrational things [he has] ever seen in [his] life in the law', stated at the Fordham conference that the verdict had made the United States 'a laughingstock throughout the world.' An Australian professor on the panel said, 'The comment has been made a few times that America is out of whack and you are a laughingstock in the rest of the world. As the only non-American on the panel, that's true. We do see the cases like Thomas in our newspapers, and we think: "Wow, those crazy Americans, what are they up to now?" This whole notion of statutory damages is not something that we have within our Copyright Act. You actually have to be able to prove damage for you to be able to be compensated for that.' NYCL also got to debate the 'making available' issue, saying that there was no 'making available' right in US copyright law, despite the insistence of the program's moderator, the 'keynote' speaker, and a 'majority vote' of the audience that there was such a right. The next day, two decisions came down, and a month later yet another decision came down, all rejecting the 'making available' theory."

An anonymous reader writes "OpenBSD 4.3 is now available! Released today, May 1, 2008, 4.3 introduces many new improvements and upgrades. The complete changelog is here. Torrents can be found here." As usual, this release is accompanied by a song.

NewYorkCountryLawyer writes "An ISP in Ireland has been sued by the Big Four record labels because its subscribers have engaged in P2P sharing of the record companies' song files. The record companies claim the ISP should be buying Audible Magic's CopySense, the software being peddled by the RIAA's expert witness, which supposedly would filter out copyright infringement. Of course, not everyone agrees."

Bibek Paudel writes "Over the past few weeks Chinese bloggers and people on Internet forums have been reacting to events in Tibet and the protests disrupting the torch relay. The BBC and Global Voices have interesting insights on the recent happenings on the Net. A western commentator says, 'Lots of Chinese people now view the Western media, human rights groups, and Western leaders' criticisms of their country as part of the Racist Western Conspiracy to Stop China From Being Successful.' One of the most vocal appeals by the Chinese blogs, forums, and text-messages has been to boycott French goods in response to the protests that accompanied the torch relay in Paris. One response post reads, 'Who is abusing human rights? Who is bringing violence to this world?' There also are two versions of music video of the song Don't Be Too CNN, and its lyric has assumed the status of a cult catch-phrase. Sina.com has a popular page: 'Don't be too CNN, fire to the Western media.' Many analysts believe that the protests over Tibet have only served to strengthen Chinese nationalism rather than evoke sympathy for the Tibetan cause. Sina.com has a petition against the Western media which has reportedly accumulated millions of signatures. There is also Mutant Palm, a blog by an expatriate in China who has been watching and commenting on the fallout from Tibet and torch protests online."